The sun began to poke its smile out of the overcast sky and heat the drops of newly fallen rain on the grass so that a warm, wet muggy atmosphere settled over the scene. No one was wearing beach towels, as I had jokingly suggested, but not many people were wearing black either. It was a formal occasion, a solemn occasion, but also not unlike any other family gathering: people greeted each other with hugs and handshakes on the narrow roadway through the cemetery, small children tumbled around the legs of their parents and oohs and aahs of how tall/beautiful/adult people had become in the last 5-6 years. John as right, G’ma would have been proud to see all of us together like this: it happens so infrequently.
The eldest of her sons, according to some tradition whose origin no one knew, was the designated orator at this event. He had prepared few words. He spoke quietly and slowly, like a school teacher speaking to a captivated audience of seven year olds. He invited others to speak and one at a time, several people came to the front to stand by the small wooden plank covered with green astroturf with a small container the size of a shoebox sitting on top of it.
Several of their words echoed in my mind throughout the evening, after we left the graves of my grandparents, one on top of the other, after the cemetery attendant dropped a pile of sea-shells and the first handful of dirt on top of the box, after everyone got in their cars and drove slowly out of the park, after my dad and his older cousin and I were the only three left in this vast sea of green grass and gravestones, after the party at my aunt’s house, the distribution of G’ma’s old knick-knacks, after sitting on my aunt’s porch as the sun set behind the park, the tinkling sound of my cousin’s piano playing ringing in our ears.
Some of the words were from a poem that G’ma had wanted to be read at her funeral. She had planned for this occasion for years, had kept multiple copies of this around her house in discreet places, had carefully labeled many of her knick-knacks with stickers bearing the names of children and grandchildren. The poem was short and a little bit corny, but completely appropriate. It talked about the leaves, the wind, and the grass; it commanded its reader and listeners not to cry, for “I did not die.” It reminded me that she lived for 47 years, a complete life, a full life, and a happy life, without the person she had pledged to live it with to her last day here. This poem, I wondered, was it for us? Was it to comfort us in her absence? Or had it been for her? Was it perhaps her way of coping with death, by looking around at everything on earth and seeing him, knowing that the world is a wonderful place worth living in because he had lived in it?
The other words that I remembered were those of my parents, because in hearing them, I came to a new understanding of my parents’ intentions in raising my brother and I, and how well they have done in this endeavor. My mom spoke of the creativity that my G’ma inspired in all of us. “Good Dog Carl,” remembered as one of my favorite books, and spoken of often by my mother, is a book with no words. I had forgotten this. My mom talked about the first time my G’ma gave the book to her and told her to read me a story. I was a toddler. My mom opened the book and was horrified that there were no words, only pictures. How to read a story?? My G’ma, according to the story, took the book and proceeded to read me the most vividly imagined story one could create from a book with no words. My mother was in awe. This creativity, this love for the imagination, my mother would try to instill in us; I think she did a pretty damn good job.
My dad also had a few lessons from his mother. Besides his ability and love for cooking (read: nil) which he acquired from her, my dad talked about his pleasure, or at least, contentment with being alone. Having few friends is characteristic of my father, my brother, many of the men in my family, and the women as well come to think of it. G’ma lived alone for years, spending most of her time with her knitting needles and her 12-inch TV-screen image of Tom Brockaw (who looked a bit like her husband). She was content to have few friends, my dad added, because she reserved her time, her energy, and her love for her family. The few who were around, both family and friends, were valued above all else.
I have been thinking about these things and others and don’t really know what else to write. I have bullet points in my journal for things I want to write about: self-sufficiency, the nature of friendship, what it really means to love someone, family and tradition, grieving and coping, the resiliency of the human spirit. Too many to write down at one time. And I don’t know how to finish this post, want to have a short quip of some sort, but am completely drawing a blank. How about a picture? This is the only picture I took all weekend:

Here’s the poem:
Do not stand at my grave and weep.
I am not there, I do not sleep.
I am a thousand winds that blow.
I am the diamond glints on the snow.
I am the sunlight on ripened grain.
I am the gentle autumn rain.
When you awaken in the morning’s hush,
I am the swift, uplifting rush
of quiet birds in circled flight.
I am the soft stars that shine at night.
Do not stand at my grave and cry.
I am not there. I did not die.
~Anyonymous
Now I know how to end this (a day later): the funeral/service/memorial, whatever you want to call it, was exactly what a funeral/service/memorial should be, in my mind. It was a time for us to be together and to put our arms around each other (figuratively and literally) and remind each other that we will go on loving this life and experiencing it in all its fullness despite the loss of someone we love…or maybe because of the loss of someone we love. The fact that someone we love so dearly existed at all means the world is a pretty damned amazing place.